“When the chorus sing that the ‘name of the land will vanish’ and ‘Troy no longer exists’, they are singing for an audience for whom Troy’s name has survived.”
— P.E. Easterling on Euripides’s Trojan Woman, from ‘Form and Performance in Greek Tragedy’, The Cambridge Companion to Greek Tragedy
“If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel’s heartbeat, and we should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity.”
“A bell cannot tell time, but it can be moved in just such a way as to say twelve o’clock—similarly, a man cannot calculate infinite numbers, but he can be moved in just such a way as to say pi.”
― Daniel Tammet, Thinking in Numbers: How Maths Illuminates Our Lives
Thoreau always had two notebooks—one for facts, and the other for poetry. But he had a hard time keeping them apart, as he often found facts more poetic than his poems. They are, he said, translated from the language of the earth into that of the sky. Thoreau knew that the imagination uses facts to fabricate images and even delicate architectures. One summer night, looking up into the sky at a particularly beautiful, scintillating star, he thought perhaps another traveler somewhere else along the coast was, like him, looking up at that same star and said, ‘Of what unsuspected triangles are stars the apex?’”