
Nothing is absolute. Everything changes, everything moves, everything revolves, everything flies and goes away.”
— Frida Kahlo
“The subject of fertility appears one more time in this work. As a rather strange still life, Frida depicts plants-flowers-seeds-vaginas in process of gestation: the flowers’ pistils are drops of semen impregnating the ovum inside. A fetus is crying, just as is the third eye of the sun. Once again, Frida has had to face the loss of a child.”
(via Google Arts and Culture)
“In the painting she stares out unflinchingly against a backdrop of luxuriant foliage. In the centre of her forehead, just above the two dark bushy eyebrows, is a perfectly circular round hole, within which is a rural landscape dominated by a skull and crossbones.
The face is neither frightened nor filled with despair; it is calm. She seems to say that if death and suffering can be accepted as a natural part of life then fulfilment is possible. It is one of her many self-portraits that relentlessly lay bare her pre-occupations with death and her own physical fragility.
It demonstrates her fearlessness in confronting what lies at the centre of existence: death.
By putting death in the place of the third eye, the chakra, she makes it the source of all wisdom.”