
“[Franz] Boaz introduced ideas into American life that shape how we think about the world to this day. Race is a construct, culture is relative, Western civilization is not inherently greater. History is not linear, and neither is human progress.”
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“[Franz] Boaz introduced ideas into American life that shape how we think about the world to this day. Race is a construct, culture is relative, Western civilization is not inherently greater. History is not linear, and neither is human progress.”

Writing is control. The part of the university in which I teach should properly be called the Controlling Experience Department. Experience—mystifying, overwhelming, conscious, subconscious—rolls over everybody. We try to adapt, to learn, to accommodate, sometimes resisting, other times submitting to, whatever confronts us. But writers go further: they take this largely shapeless bewilderment and pour it into a mold of their own devising. Writing is all resistance””
— Zadie Smith, Intimations: Six Essays

Writing always reflects the previously written and read (from whatever source): Writing is rewriting. Other discourses are being transformed, integrated and dismissed. These processes of writing and reading can also be defined as mechanisms of invention and discovery.”
— Andrea Sick, Reading & Writing: 25 Manifestos

I’m terrified at the moral apathy, the death of the heart, which is happening in my country. These people have deluded themselves for so long that they really don’t think I’m human. I base this on their conduct, not on what they say. And this means that they have become, in themselves, moral monsters.”
— James Baldwin

I speak a lot, I mean, a lot of words, and I rush, and it always comes out wrong. And why is it that I speak a lot of words and it comes out wrong? Because I don’t know how to speak. Those who know how to speak well, speak briefly. So, there you have my giftlessness—isn’t it true? But since this gift of giftlessness is natural to me, why shouldn’t I use it artificially? And so I do. True, as I was preparing to come here, I first had the thought of being silent; but to be silent is a great talent, and is therefore not fitting for me, and, second, it’s dangerous to be silent, after all; well, so I finally decided that it would be best to talk, but precisely in a giftless way, I mean, a lot, a lot, a lot, to be in a great rush to prove something, and towards the end to get tangled up in one’s own proofs, so that the listener throws up his hands, or, best of all, just spits and walks away without any end.”
— Fyodor Dostoevsky, Demons (via Erica Avey)

All of this raises a question: why has feminism, which managed to win so many battles—the notion of a woman with a career has become perfectly unexceptionable—remained anathema to millions of women who are the beneficiaries of its success?
— Ariel Levy, “Lift And Separate”
That’s part of the dilemma of being an American Negro. That one is, a little bit colored and a little bit white. And not only in terms, in physical terms, but in the head and in the heart. There are days, this is one of them, when you wonder what your role is in this country and what your future is in it. How precisely you’re going to reconcile yourself to your situation here and how you are going to communicate to the vast, heedless, unthinking, cruel white majority that you are here. And to be here means you that can’t be anywhere else.”
— James Baldwin, A Conversation with James Baldwin